Oscar Peterson
Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian jazz pianist and composer. He was called the “Maharaja of the keyboard” by Duke Ellington, but simply “O.P.” by his friends.
He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honors. He is considered one of the greatest jazz pianists and played thousands of concerts worldwide in a career lasting more than 60 years.
Early years
Peterson was born in Montreal, Quebec, to immigrants from the West Indies; his father worked as a porter for Canadian Pacific Railway. Peterson grew up in the neighborhood of Little Burgundy in Montreal. It was in this predominantly black neighborhood that he encountered the jazz culture.
At the age of five, Peterson began honing his skills on trumpet and piano, but a bout of tuberculosis when he was seven prevented him from playing the trumpet again, so he directed all his attention to the piano.
His father, Daniel Peterson, an amateur trumpeter and pianist, was one of his first music teachers, and his sister Daisy taught him classical piano. Peterson was persistent in practicing scales and classical études.
At the age of nine, Peterson played piano with a degree of control that impressed professional musicians. For many years his piano studies included four to six hours of daily practice. Only in his later years did he decrease his practice to one or two hours daily.
In 1940, at fourteen years of age, he won the national music competition organized by the Canadian Broadcasting Corporation. After that victory, he dropped out of the High School of Montreal, where he played in a band with Maynard Ferguson.
He became a professional pianist, starring in a weekly radio show and playing at hotels and music halls. In his teens, he was a member of the Johnny Holmes Orchestra.
Duos, trios, and quartets
In a cab on the way to the Montreal airport, Norman Granz heard a radio program broadcasting from a local club. He was so impressed that he told the driver to take him to the club so he could meet the pianist. In 1949 he introduced Peterson in New York City at a Jazz at the Philharmonic concert at Carnegie Hall.
In the documentary video Music in the Key of Oscar, Peterson tells how Granz stood up to a gun-toting southern policeman who wanted to stop the trio from using “whites-only” taxis.
In 1950 Peterson worked in a duo with double bassist Ray Brown. Two years later they added guitarist Barney Kessel. Then Herb Ellis stepped in after Kessel grew weary of touring. The trio remained together from 1953 to 1958, often touring with Jazz at the Philharmonic.
Peterson also worked in a duo with Sam Jones, Niels-Henning Ørsted Pedersen, Joe Pass, Irving Ashby, Count Basie, and Herbie Hancock.
He considered the trio with Brown and Ellis “the most stimulating” and productive setting for public performances and studio recordings. In the early 1950s, he began performing with Brown and drummer Charlie Smith as the Oscar Peterson Trio.
Their last recording, On the Town with the Oscar Peterson Trio, recorded live at the Town Tavern in Toronto, captured a remarkable degree of emotional as well as musical understanding between the three players.
When Ellis departed in 1958, they hired drummer Ed Thigpen because they felt no guitarist could compare to Ellis. Brown and Thigpen worked with Peterson on his albums Night Train and Canadiana Suite. Both left in 1965 and were replaced by bassist Sam Jones and drummer Louis Hayes (and later, drummer Bobby Durham).
The trio performed together until 1970. In 1969 Peterson recorded Motions and Emotions with orchestral arrangements of “Yesterday” and “Eleanor Rigby” by The Beatles. In the fall of 1970, Peterson’s trio released the album Tristeza on Piano. Jones and Durham left in 1970.
In the 1970s Peterson formed a trio with guitarist Joe Pass and bassist Niels-Henning Ørsted Pedersen. This trio emulated the success of the 1950s trio with Brown and Ellis and gave acclaimed performances at festivals.
Their album The Trio won the 1974 Grammy Award for Best Jazz Performance by a Group. On April 22, 1978, Peterson performed in the interval act for the Eurovision Song Contest 1978 that was broadcast live from the Palais des congrès de Paris.
In 1974 he added British drummer Martin Drew. This quartet toured and recorded extensively worldwide. Pass said in a 1976 interview, “The only guys I’ve heard who come close to total mastery of their instruments are Art Tatum and Peterson”.
OSCAR PETERSON – FULL DOCUMENTARY
Peterson was open to experimental collaborations with jazz musicians such as saxophonist Ben Webster, trumpeter Clark Terry, and vibraphonist Milt Jackson. In 1961, the Peterson trio with Jackson recorded the album Very Tall.
His solo recordings were rare until Exclusively for My Friends (MPS), a series of albums that were his response to pianists such as Bill Evans and McCoy Tyner. He recorded for Pablo, led by Norman Granz after the label was founded in 1973.
In the 1980s he played in a duo with pianist Herbie Hancock. In the late 1980s and 1990s, after a stroke, he made performances and recordings with his protégé Benny Green. In the 1990s and 2000s, he recorded several albums accompanied by a combo for Telarc.
Ill health and later years
Peterson had arthritis since his youth, and in later years he had trouble buttoning his shirt. Never slender, his weight increased to 125 kg, hindering his mobility. He had hip replacement surgery in the early 1990s. Although the surgery was successful, his mobility was still inhibited.
In 1993 a stroke weakened his left side and removed him from work for two years. During the same year incoming prime minister Jean Chrétien, his friend and fan, offered him the position of Lieutenant-Governor of Ontario. According to Chrétien, Peterson declined the job due to ill health related to the stroke.
Although he recovered some dexterity in his left hand, his piano playing was diminished, and his style had relied principally on his right hand. In 1995 he returned to occasional public performances and recorded for Telarc.
In 1997 he received the Grammy Lifetime Achievement Award and an International Jazz Hall of Fame Award. His friend, Canadian politician and amateur pianist Bob Rae, said, “a one-handed Oscar was better than just about anyone with two hands.”
In 2003, Peterson recorded the DVD A Night in Vienna for Verve with Niels-Henning Ørsted Pedersen, Ulf Wakenius, and Martin Drew. He continued to tour the U.S. and Europe, though at most one month a year, with a rest between concerts.
In 2007 his health declined. He canceled his plans to perform at the Toronto Jazz Festival and a Carnegie Hall all-star concert that was to be given in his honor. Peterson died on December 23, 2007, of kidney failure at his home in Mississauga, Ontario.
Personal life
Peterson was married four times. He smoked cigarettes and a pipe and often tried to break the habit, but every time he stopped he gained weight. He loved to cook and remained large throughout his life.
Composer and teacher
Peterson taught piano and improvisation in Canada, mainly in Toronto. With associates, he started and headed the Advanced School of Contemporary Music in Toronto for five years during the 1960s, but it closed because touring called him and his associates away, and it did not have government funding.
Later, he mentored the York University jazz program and was the Chancellor of the university for several years in the early 1990s. He published jazz piano etudes for practice.
He asked his students to study the music of Johann Sebastian Bach, especially The Well-Tempered Clavier, the Goldberg Variations, and The Art of Fugue, considering these piano pieces essential for every serious pianist. Among his students were pianists Benny Green and Oliver Jones.
Peterson and Tatum
He was influenced by Teddy Wilson, Nat King Cole, James P. Johnson, and Art Tatum, to whom many compared Peterson in later years. After his father played a record of Tatum’s “Tiger Rag”, he was intimidated and disillusioned, quitting the piano for several weeks.
“Tatum scared me to death,” he said and was “never cocky again” about his ability at the piano. Tatum was a model for Peterson’s musicianship during the 1940s and 1950s. Tatum and Peterson became good friends, although Peterson was always shy about being compared with Tatum and rarely played the piano in Tatum’s presence.
Peterson also credited his sister—a piano teacher in Montreal who also taught several other Canadian jazz musicians—with being an important teacher and influence on his career.
Under his sister’s tutelage, Peterson expanded into classical piano training and broadened his range while mastering the core classical pianism from scales to preludes and fugues by Johann Sebastian Bach.
Building on Tatum’s pianism and aesthetics, Peterson also absorbed Tatum’s musical influences, notably from piano concertos by Sergei Rachmaninoff. Rachmaninoff’s harmonizations, as well as direct quotations from his 2nd Piano Concerto, are scattered throughout many recordings by Peterson, including his work with the most familiar formulation of the Oscar Peterson Trio, with bassist Ray Brown and guitarist Herb Ellis.
During the 1960s and 1970s, Peterson made numerous trio recordings highlighting his piano performances; they reveal more of his eclectic style, absorbing influences from various genres of jazz, popular, and classical music.
According to pianist and educator Mark Eisenman, some of Peterson’s best playing was as an understated accompanist to singer Ella Fitzgerald and trumpeter Roy Eldridge.
Hymn To Freedom
Live in Denmark,1964.
Oscar Peterson – Piano, Ray Brown – Bass, Ed Thigpen – Drums.
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Jazz Icons – Oscar Peterson – Live In ’63, ’64, ’65
Personnel:
Oscar Peterson: piano
Ray Brown: bass
Ed Thigpen: drums
Roy Eldridge: trumpet (Sweden)
Clark Terry: trumpet, flugelhorn, vocals (Finland).
Tracklisting:
Sweden (1963)
01. Reunion Blues
02. Satin Doll
03. But Not For Me
04. It Ain’t Necessarily So
05. Chicago (That Toddling Town)
Denmark (1964)
06. Soon
07. On Green Dolphin Street
08. Bags’ Groove
09. Tonight
10. C-Jam Blues
11. Hymn To Freedom
Finland (1965)
12. Yours Is My Heart Alone
13. Mack The Knife
14. Blues For Smedley
15. Misty
16. Mumbles
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Oscar Peterson & Niels-Henning Ørsted Pedersen • 15-07-1979 • World of Jazz
Rare performance of Oscar Peterson, piano, and Niels-Henning Ørsted Pedersen, bass during the North Sea Jazz Festival in the Congres Gebouw in The Hague, 15 July 1979.
Tracklisting among others: Old Folks, Soft Winds, There is no greater love, Ballad, People, Peterson’s Blues.
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Oscar Peterson – Greatest Hits [Jazz, Blues, Swing]
0:00 – Waltz for Debby
5:56 – I Wants to Stay Here
12:19 – Night and Day
14:53 – Take the a Train
17:59 – Georgia On My Mind
21:43 – I Love Paris
23:56 – Jordu
29:26 – Stormy Weather
32:09 – The Man I Love
35:19 – I’m a Fool to Want You
39:06 – It’s De-Lovely
41:35 – I Get a Kick Out of You
44:38 – Pennies from Heaven (Trio with Stan Getz)
49:55 – Can’t Help Lovin’ Dat Man
52:41 – A Foggy Day
55:37 – Over the Rainbow
57:55 – Summertime
1:00:53 – Prelude to a Kiss
1:03:26 – Love for Sale
1:06:56 – I Concentrate On You