As an adolescent, Felix’s works were often performed at home with a private orchestra for the associates of his wealthy parents amongst the intellectual elite of Berlin. Mendelssohn wrote his first twelve symphonies in his early teens (more specifically, from ages twelve to fourteen). These works were ignored for over a century, but are now recorded and heard occasionally in concerts. At fifteen he wrote his first acknowledged symphony for full orchestra, his opus 11 in C minor in 1824. At the age of sixteen he wrote his String Octet in E Flat Major, the first work which showed the full power of his genius, and, together with his overture to Shakespeare’s A Midsummer Night’s Dream, which he wrote a year later, the best known of his early works. He wrote incidental music for the play in 1842, including the famous Wedding March.
In 1829 Mendelssohn paid his first visit to England, where he was introduced to influential musical circles. Felix had a great success, conducting his First Symphony and playing in public and private concerts. On subsequent visits he met with Queen Victoria and her musical husband Prince Albert, both of whom were great admirers of his music. In the course of ten visits to Britain during his life he won a strong following, and the country inspired two of his most famous works, the Hebrides Overture and the Scottish Symphony (no.3). His oratorio Elijah was premiered in Birmingham on August 26, 1846.
In 1835, he was appointed as conductor of the Gewandhausorchester Leipzig. This appointment was extremely important for him as he felt himself to be a German and wished to play a leading part in his country’s musical life. Despite efforts by the king of Prussia to lure him to Berlin, Mendelssohn sought to develop the musical life of Leipzig and in 1843 he founded the Leipzig Conservatory.
Mendelssohn’s personal life was conventional. His marriage to Cécile Jeanrenaud in March of 1837 was very happy and the couple had five children. Felix was an accomplished painter in water-colour, and his enormous correspondence shows that he could also be a witty writer (in both German and English – and sometimes accompanied by humorous sketches and cartoons in the text).
Mendelssohn suffered from bad health in the final years of his life, probably aggravated by nervous problems and overwork, and he was greatly distressed by the death of his sister Fanny in May 1847. Felix Mendelssohn died later that same year after a series of strokes, in Leipzig. He is buried in the Dreifaltigkeitsfriedhof (Trinity Cemetery) I in Berlin-Kreuzberg.